Dictionary of Meaning
<<Back
Please select a letter:
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
0-9
Click here for Shopping
Malleus maleficarum
*** Shopping-Tip: Malleus maleficarum
Image:Malleus.jpg Cologne.html" title="Meaning of thumb thumb|230px|right|Cover of the seventh [[Cologne edition of the ''Malleus Maleficarum'',
1520 (from the University of Sydney Library)..html" title="Meaning of 230px|right|Cover of the seventh [[Cologne">thumb|230px|right|Cover of the seventh [[Cologne edition of the ''Malleus Maleficarum'',
1520 (from the University of Sydney Library).">230px|right|Cover of the seventh [[Cologne">thumb|230px|right|Cover of the seventh [[Cologne edition of the ''Malleus Maleficarum'',
1520 (from the University of Sydney Library). The '''''Malleus Maleficarum''''' ("The Hammer of Witches" or the "Hexenhammer") is considered by many to be the classic
Catholicism Roman Catholic text on
witchcraft, although it was in fact condemned by the Inquisition in
1490, and never officially used by the Catholic Church. First published in
1487, the book is notorious for its use in the
witchhunt craze of the fifteenth to seventeenth centuries.
It was compiled by two
Dominican Order Dominican inquisition inquisitors,
Jacob Sprenger and
Heinrich Kramer. They submitted the book to the
University of Cologne's Faculty of
Theology on
May 9,
1487, hoping for its endorsement. This is usually taken as the date of publication, although earlier editions may have been produced in
1485 or
1486. It was published in a number of editions, thirteen times from 1487 to
1520 and sixteen times from
1574 to the
Lyon edition of
1669. The book was popular throughout Western and Central
Europe, although less so in
England and
The Netherlands, and was accepted by both
Catholicism Catholics and
Protestants.
Through the Renaissance and the entire time that witchcraft hysteria reigned, it was the most influential guide for popular
witchhunters.
Montague Summers called it: ''One of the most important, wisest and weightiest books in the world''. During its time it was second only to the Bible in sales, until
John Bunyan’s ''
The Pilgrim's Progress Pilgrim’s Progress'' was published in
1678 and exceeded it.
The work was originally prefaced by the
papal bull ''
Summis desiderantes'' issued by
Pope Innocent VIII on
December 5,
1484, the main
Pope papal document on witchcraft. It mentions Sprenger and Kramer by name (as Iacobus Sprenger and Henrici Institoris) and directs them to combat witchcraft in northern
Germany. The book itself was not specifically ordered by the Roman Catholic Church. The writers attached a letter of approbation from the University of Cologne ostensibly signed by four teachers there. However, this letter was a forgery. The University had not approved the book, and had in fact condemned it for the use of unethical legal procedures, and because its demonology was not consistent with Catholic doctrine. Kramer was condemned by the Inquisition in 1490, but the book continued in publication, buoyed by the growing popular hunger for remedies against witchcraft.
Modern translations of the works include a
2000 German language German translation by the professors Jerouscheck and Behringer, titled ''Der Hexenhammer'' (the
1906 translation by Schmidt is considered very poor), and an
English language English translation (with introduction) by
Montague Summers in
1928 which was reprinted in
1948 and is still available today as a
1971 reprint by Dover Publications (ISBN 0486228029).
The book is divided into three sections, the first proving that witchcraft or sorcery existed, the second describing the forms of witchcraft and the third the detection, trial and destruction of witches. There is little original material in the book; it is mainly a codification of existing beliefs and practices with substantial parts taken from earlier works such as
Nicolau Aymerich's ''
Directorium Inquisitorum'' (
1376), or
Johannes Nider's ''
Formicarius'' (
1435).
The book begins with a discussion of the nature of witchcraft. Part of this section explains why women, by their weaker nature and inferior intellect, were supposedly naturally more prone to the lure of
Satan. The book title itself has ''maleficarum'', the female noun, and the writers (incorrectly) declare that the word ''femina'' (woman) is a derivation of ''fe''+''minus'', faithless.
The work declares that some things confessed by witches, such as animal
transmogrification transformations, were mere delusions induced by the devil to ensnare them, while other acts, such as flight, causing storms and destroying crops, were real. The book dwells at length on the licentious acts of witches, their ability to create impotence in men and even gives space to the question of whether demons could father children of witches. The writing style is serious and utterly humourless.
The last section deals with the practical details of the detection, trial and destruction of witches. It covers how much belief to place in witnesses' testimonies and the need to eliminate malicious accusations, but also states that public rumour is sufficient to bring a person to trial and that a too vigorous defence is evidence that the defender is bewitched. There are rules on how to prevent the authorities becoming bewitched and the reassurance that, as representatives of
God, investigators are shielded from all of the witch's powers. It covers details of how to elicit confessions, including the sequence of
torture and questioning to be used; the use of red-hot iron is recommended as is the shaving of the entire body of the accused in search of tokens or marks of the
devil.
An anti-clerical story contained in the book was the basis for the Norwegian and British "operamusical"
Which Witch that describes the trial and persecution of an innocent Italian woman who is burned at the stake by conspirators in
Germany because of her relations with an influential German bishop. It alludes to its original source in the chilling opening number titled "Malleus Maleficarum". It was given lukewarm to harsh reviews, and has been deemed as "the worst musical of all time", despite a growing
cult following in the
United Kingdom. The music was composed by
Benedicte Adrian and
Ingrid Bjørnov, with Adrian in the role as well.
See also
*
Christian views on witchcraft
*
The Lesser Key of Solomon, a 17th century
grimoire on demonology.
External links
-
History of the ''Malleus Maleficarum'' - Essay by historian Jenny Gibbons, presenting the accepted view among scholars.
-
''Malleus Maleficarum'' - An online version of the text, with an introduction which represents the popular view of the subject.
Category:1487 books
Category:christian texts
Category:Inquisition
Category:supernatural books
Category:Witchcraft
cs:Malleus maleficarum
de:Hexenhammer
es:Malleus Maleficarum
fr:Malleus Maleficarum
it:Malleus Maleficarum
nl:Malleus maleficarum
no:Heksehammeren
pl:Malleus Maleficarum
pt:Malleus Maleficarum
ru:Молот ведьм
sk:Malleus maleficarum
fi:Noitavasara
sv:Häxhammaren
see
Malleus Maleficarum
*** Shopping-Tip: Malleus maleficarum